Ultimate Santana

2008 reissue housed in a deluxe cardboard slipcase. This single disc anthology brings the legendary guitarist's best recordings of his Arista Records era together with his greatest classics from the Columbia Records years on a single compact disc. Among the 18 tracks are the chart toppers 'Smooth', 'Maria Maria', 'Black Magic Woman', 'The Game Of Love' (with both Michelle Branch and Tina Turner), 'Oye Como Va' and many more. Sony/BMG.
Customer Review: big mistake
YUK! I just recently started downloading mp3s and really screwed up when I bought this thinking it would be the Carlos Santana music I knew in the 60s. What else would "Ulitmate Santana" mean? Instead most of the album is just Santana accompanying some bozo singing stupid disco type songs. My bad. Remember, when it says "featuring so-and-so" it usually means you better like so-and-so and not care too much about who the titled performer is.
Customer Review: Great songs, but...
Carlos Santana has very few bad albums, or even bad songs. (Stay away from his collaboration with John McLaughlin though.) If you're looking for a one-disk compilation and are familiar with his later songs plus his late 60's hits, the songs here will be familiar. But... try Caravanserai, Borboletta, or some of his other unbelievable albums from "in between". If this is all you know of Carlos Santana, you have a lot to discover! What you hear on this disk is just an introduction. I give this review 4 stars rather than 5 not because there are bad songs on this CD (there aren't), but because you, as a Santana listener, deserve more.

Learning jazz guitar can be intimidating and overwhelming for a beginning student. Unlike styles like rock, blues, and classical, jazz guitar demands that a musician master a wide variety of skills, including jazz guitar scales.

If you are absolutely fresh on jazz guitar, the first thing you've got to wrap your fingers around is the major scale and its modes. It's the reference against which all other scales are defined. Learn them in position as well as up and down single strings. It's also cool to practice them in one, two, and three octaves.

Once you've got those under your fingers and in your ears, it's time to start learning the melodic minor scale on guitar. The difference between a melodic minor scale and a major scale is only one note, the flat third. The melodic minor scale also has some really cool sounding modes, like lydian dominant which works over a 7#11 chord.

It's also important to learn your pentatonic scales. Most guitarists coming from a rock, blues, or country background are already familiar with the minor and major pentatonic scales, and if you aren't you have to check them out. The blues scale is also useful.

A common trap that students of jazz guitar fall into is only practicing scales up and down. Of course, it's important and is the first step to mastering jazz guitar scales. But if you're at a point where it's comfortable to play ascending and descending scales and you feel comfortable with the notes, the next step is to start practicing intervals and sequences. Also, try to vary the rhythm in your scale practice.

Learning jazz guitar scales is an essential part of mastering jazz guitar.

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